It’s a shame that the very end of the story doesn’t provide a clearer resolution for all the plot threads it introduces – though Castillo remains a memorable antagonist until the bitter end. He’s a boy trying to reconcile his understanding that the impact of our actions on others is more important than our own intentions with his father’s vehement belief that noble ends justify despicable means, which creates some powerful (if one-sided) tension throughout. Castillo’s underlings aren’t necessarily anyone to write home about, running the gamut from “psychotic navy Admiral” to “psychotic air force Captain” to “psychotic propaganda director.” They’re all played well, but even the more interesting inclusions of a North American pharma tycoon and Yara’s own friendly neighborhood mad scientist feel like familiar entries in the Big Book of Video Game Bad Guys – especially when compared to Esposito’s Castillo.Įvery one of Esposito’s scenes is captivating, particularly during the exchanges with his son, Diego.

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